PASADENA, Calif. — Members of the Hopi tribe had a once-in-a-lifetime experience New Year’s day when they danced in the 135th Rose Parade in Pasadena, California. They performed the Butterfly Dance alongside the float “Woven Together: The Dance of Life,” which showcased Hopi culture.
Millions of people across the country watched the Hopi performance on TV, with huge crowds lined up along the 5.5 mile parade route, some camping out the night before to get good spots to watch the 23 intricate floats and numerous entertainment.
Hopi Chairman Timothy Nuvangyaoma and Vice Chairman Craig Andrews sang the prayer songs for the dance, while eight Hopi youth, ages 12-19, danced in traditional regalia.
Photos courtesy OneLegacy and Maggie Sewa Fredericks
“I didn’t know it was going to be that big but it was pretty big,” said Nuvangyaoma’s 12-year-old son Richard Fredericks, who was one of the dancers. “It was really nice. The float, the masks… It was beautiful, I could smell the flowers everywhere too.”
As a rule, all floats in the parade must be covered in flowers or other natural material, and some use as many as 60,000 roses. The Woven Together float, created by OneLegacy as part of its campaign to find tissue and organ donors for those in need, had over 2,000 individually dedicated roses. Twenty-two donors and recipients rode on the float.
The focal point of the float was a gigantic Hopi Butterfly Dancer wearing an intricate headdress. The headdress had cranberry seeds, dehydrated red peppers, carrots and black beans. Purple, blue and yellow statice accentuated the details, and bright white everlasting flowers made the feathers glisten.
Richard said he was nervous dancing in front of so many people at first, but as the parade went on he got into it.
“I just ignored all the people and then just focused,” Richard said, adding that his feet hurt by the end of the route. “Our traditional shoes, moccasins, kind of aren’t built for pavement at all because they’re thin at the bottom…I didn’t want to walk anywhere afterwards.”
But the minor pain was well worth it. The Woven Together float ended up winning the judge’s trophy for Best Dramatic Impact.
Hopi’s Chief of Staff Malinda Andrews went as one of the six adults that chaperoned the dancers during the event. She said the Hopi group didn’t see the float until the morning of the parade.
“I cried…just the beauty of it and just to know how many volunteer hours went into that,” Andrews said. “To see the intricacy of the float…the basketry, the design of the baskets and the butterflies on there, everything was just meticulously done. Perfection to perfection.”
Andrews’ 13-year-old daughter Ava, was another dancer at the parade.
“The (kids) were excited of course, because they had seen the Macy’s parade on television, but I don’t think they understood the magnitude of the parade until we got there, and that’s when it all hit them.”
The Hopi group traveled to Pasadena Dec. 29 and left Jan. 2. Andrews said it was the first plane ride for many in the group. When they walked into their hotel, clapping broke out.
“The kids were looking for a celebrity maybe to walk in,” Andrews said. “The kids looked around and…it was (for) us.”
The Hopi Cultural Preservation office partnered with OneLegacy in spring 2023 and Andrews helped put the dance group together in October.
This year’s parade theme was “Celebrating a World of Music: The Universal Language,” and OneLegacy chose to play homage to the music and dance traditions of the Hopi tribe for its 21st year in the parade. They focus on a different part of the world every year.
Originally, float designer Charles Meier wanted to use Hopi Kachina dolls, but the preservation office explained that that was a sacred part of the Hopi culture that should remain private. The team decided to focus on the Butterfly Dance instead, since that is performed publicly.
Chairman of the float committee Tom Mone said OneLegacy appreciates the Hopi community’s involvement and partnership “in sharing their tradition of the Butterfly Dance, celebrating the life-giving power of the butterfly that pollinates the corn, their staple food, as well as their traditional basketry that holds that bounty for sharing with their community.”
Along the giant baskets on the float were portraits of donors who had given life-saving organs. These were floragraphs, made with thousands of tiny flowers which dozens of volunteers helped to assemble, including donors’ family members.
Members of the Navajo, Choctaw, Colville and Kickapoo nations were honored with floragraphs. There were two transplant recipients who received the gift of life on the float: Orlan Honyumptewa who received a kidney transplant and who is a member of the Hopi, and Renee Roybal, who is a heart transplant recipient from Pueblo de San Ildefonso.
Mone explained that he hoped the float would inspire people to register as a donor. The need for lifesaving organ transplants is especially high among communities of color, and Native Americans suffer from five times the rate of liver failure and two times the rate of kidney failure.
Photos courtesy OneLegacy
“These medical conditions too often require a lifesaving transplant,” Mone said. “We are so grateful to showcase the life-saving power of organ, eye and tissue donation among Native American nations and we hope to continue inspiring these and all communities.”
Frederick Jones, Navajo, was one donor who had a floragraph on the float. Jones became an organ donor after he saw the impact it made on his sister, Miceale, who received a life-changing kidney transplant from a deceased donor. When Jones was 27, he suffered an irreversible head trauma from a car accident. After he died, Jones’ family prayed and spoke over his body, thanking them for serving him in this material world with a wish they would serve the next person. Jones’ kidneys, liver, heart, pancreas and corneas were given to those in dire need.
Though the Navajo and Hopi cultures don’t generally believe in bodily modification and organ procurement of the deceased, Andrews said hearing the stories of the donors’ families was moving.
“Of course you read about it, you hear about it, but I didn’t understand until I got to hear at the dinner what it meant to families and some of the recipients that rode on the float, their own stories just impacted me so much,” Andrews said. “It just opened my eyes to the possibilities that are there, how your body could give life.”
The Hopi group attended and performed at the OneLegacy dinner and were invited to a New Year’s Eve celebration, but Andrews said they were so exhausted by Dec. 31 the group maybe made it until about 9 p.m.
“With the rigorous agenda that we were following we were (sometimes) up by 3 a.m. in preparation,” Andrews said. “The kids were up by 4 a.m., we had to be dressed by 5 a.m.”
All of the regalia was shipped ahead of time and they needed to out it all together. There was also a meet and greet, practices and other pre-parade events.
“We really didn’t have time to mingle…however on parade day as we were getting there and the sun was rising we did get to see other floats,” Andrews said. “The kids were awesome, nobody complained. They were really happy to showcase and share their culture…we worked really well as a team. We did things together and everything worked out so great.”
PASADENA, Calif. — Members of the Hopi tribe had a once-in-a-lifetime experience New Year’s day when they danced in the 135th Rose Parade in Pasadena, California. They performed the Butterfly Dance alongside the float “Woven Together: The Dance of Life,” which showcased Hopi culture.
Millions of people across the country watched the Hopi performance on TV, with huge crowds lined up along the 5.5 mile parade route, some camping out the night before to get good spots to watch the 23 intricate floats and numerous entertainment.
Hopi Chairman Timothy Nuvangyaoma and Vice Chairman Craig Andrews sang the prayer songs for the dance, while eight Hopi youth, ages 12-19, danced in traditional regalia.
Photos courtesy OneLegacy and Maggie Sewa Fredericks
“I didn’t know it was going to be that big but it was pretty big,” said Nuvangyaoma’s 12-year-old son Richard Fredericks, who was one of the dancers. “It was really nice. The float, the masks… It was beautiful, I could smell the flowers everywhere too.”
As a rule, all floats in the parade must be covered in flowers or other natural material, and some use as many as 60,000 roses. The Woven Together float, created by OneLegacy as part of its campaign to find tissue and organ donors for those in need, had over 2,000 individually dedicated roses. Twenty-two donors and recipients rode on the float.
The focal point of the float was a gigantic Hopi Butterfly Dancer wearing an intricate headdress. The headdress had cranberry seeds, dehydrated red peppers, carrots and black beans. Purple, blue and yellow statice accentuated the details, and bright white everlasting flowers made the feathers glisten.
Richard said he was nervous dancing in front of so many people at first, but as the parade went on he got into it.
“I just ignored all the people and then just focused,” Richard said, adding that his feet hurt by the end of the route. “Our traditional shoes, moccasins, kind of aren’t built for pavement at all because they’re thin at the bottom…I didn’t want to walk anywhere afterwards.”
But the minor pain was well worth it. The Woven Together float ended up winning the judge’s trophy for Best Dramatic Impact.
Hopi’s Chief of Staff Malinda Andrews went as one of the six adults that chaperoned the dancers during the event. She said the Hopi group didn’t see the float until the morning of the parade.
“I cried…just the beauty of it and just to know how many volunteer hours went into that,” Andrews said. “To see the intricacy of the float…the basketry, the design of the baskets and the butterflies on there, everything was just meticulously done. Perfection to perfection.”
Andrews’ 13-year-old daughter Ava, was another dancer at the parade.
“The (kids) were excited of course, because they had seen the Macy’s parade on television, but I don’t think they understood the magnitude of the parade until we got there, and that’s when it all hit them.”
The Hopi group traveled to Pasadena Dec. 29 and left Jan. 2. Andrews said it was the first plane ride for many in the group. When they walked into their hotel, clapping broke out.
“The kids were looking for a celebrity maybe to walk in,” Andrews said. “The kids looked around and…it was (for) us.”
The Hopi Cultural Preservation office partnered with OneLegacy in spring 2023 and Andrews helped put the dance group together in October.
This year’s parade theme was “Celebrating a World of Music: The Universal Language,” and OneLegacy chose to play homage to the music and dance traditions of the Hopi tribe for its 21st year in the parade. They focus on a different part of the world every year.
Originally, float designer Charles Meier wanted to use Hopi Kachina dolls, but the preservation office explained that that was a sacred part of the Hopi culture that should remain private. The team decided to focus on the Butterfly Dance instead, since that is performed publicly.
Chairman of the float committee Tom Mone said OneLegacy appreciates the Hopi community’s involvement and partnership “in sharing their tradition of the Butterfly Dance, celebrating the life-giving power of the butterfly that pollinates the corn, their staple food, as well as their traditional basketry that holds that bounty for sharing with their community.”
Along the giant baskets on the float were portraits of donors who had given life-saving organs. These were floragraphs, made with thousands of tiny flowers which dozens of volunteers helped to assemble, including donors’ family members.
Members of the Navajo, Choctaw, Colville and Kickapoo nations were honored with floragraphs. There were two transplant recipients who received the gift of life on the float: Orlan Honyumptewa who received a kidney transplant and who is a member of the Hopi, and Renee Roybal, who is a heart transplant recipient from Pueblo de San Ildefonso.
Mone explained that he hoped the float would inspire people to register as a donor. The need for lifesaving organ transplants is especially high among communities of color, and Native Americans suffer from five times the rate of liver failure and two times the rate of kidney failure.
Photos courtesy OneLegacy
“These medical conditions too often require a lifesaving transplant,” Mone said. “We are so grateful to showcase the life-saving power of organ, eye and tissue donation among Native American nations and we hope to continue inspiring these and all communities.”
Frederick Jones, Navajo, was one donor who had a floragraph on the float. Jones became an organ donor after he saw the impact it made on his sister, Miceale, who received a life-changing kidney transplant from a deceased donor. When Jones was 27, he suffered an irreversible head trauma from a car accident. After he died, Jones’ family prayed and spoke over his body, thanking them for serving him in this material world with a wish they would serve the next person. Jones’ kidneys, liver, heart, pancreas and corneas were given to those in dire need.
Though the Navajo and Hopi cultures don’t generally believe in bodily modification and organ procurement of the deceased, Andrews said hearing the stories of the donors’ families was moving.
“Of course you read about it, you hear about it, but I didn’t understand until I got to hear at the dinner what it meant to families and some of the recipients that rode on the float, their own stories just impacted me so much,” Andrews said. “It just opened my eyes to the possibilities that are there, how your body could give life.”
The Hopi group attended and performed at the OneLegacy dinner and were invited to a New Year’s Eve celebration, but Andrews said they were so exhausted by Dec. 31 the group maybe made it until about 9 p.m.
“With the rigorous agenda that we were following we were (sometimes) up by 3 a.m. in preparation,” Andrews said. “The kids were up by 4 a.m., we had to be dressed by 5 a.m.”
All of the regalia was shipped ahead of time and they needed to out it all together. There was also a meet and greet, practices and other pre-parade events.
“We really didn’t have time to mingle…however on parade day as we were getting there and the sun was rising we did get to see other floats,” Andrews said. “The kids were awesome, nobody complained. They were really happy to showcase and share their culture…we worked really well as a team. We did things together and everything worked out so great.”